This is a great place to get a feel for the classical music of Brazil that's not written by Villa-Lobos and believe me, there's lots of great music from down there! These composers all have connections with jazz and popular music, but they share a facility in writing for a classical orchestra. Ferragutti, who is an accomplished instrumentalist to go along with his composing and arranging, plays with panache his own instrument in his Fantasia for Accordion and Chamber Orchestra.
In his note on the piece in the CD booklet, Ferragutti says the piece was written on the road, as his band toured the North-East of Brazil, Europe and the Southern Brazilian Pampas, all areas where the accordion has an important place in musical culture. Each of those traditions can be traced in this lively and vital work. Vagner Cunha's Viola Concerto is in a more classical mode, though jazz and popular elements are there as well.
Proveta's Concertino in Choro Form for trumpet, strings and piano, is a standout: it's really gorgeous. This is a larger work which mixes choro and jazz with neo-classical forms, and especially with the orchestral sound of the French impressionists.
All of the works on this disc are definitely worth a listen, and the price is right. Sound is excellent, the playing of the soloists strong, and the orchestral forces under Terje Tonneson, Claudio Cruz and Celso Antunes acquit themselves very well.
This is very highly recommended. Monday, November 2, Send in the clowns. From October 15, A marvellous Maskarade. From October 8, A new edition of the B minor Mass. From October 6, An inspired pastiche. From October 3, At the beginning you get physically sick because the training is so hard.
But once your body is used to it, the physical condition is like no other sport I know: it seems to keep you a lot fitter than other classes available at a health club. As a pianist, it has brought a lot more fluidity to my playing, affecting the sound and sense of space in my music.
The orchestras I play with have even noticed a change. My muscles have stretched too. Unsurprisingly, given his skill as a communicator, he was also a respected conductor and teacher. He is credited, too, with bringing Glyndebourne back from the financial brink through appeals and sponsorship deals. He was also acclaimed as a chamber musician, appearing regularly with the London Virtuosi, of which he was a founder member, the Lindsay String Quartet and the Lake Piano Trio.
COM www. I persist in thinking that if you plonked 1, people on an island with equal shares of everything, within a year some would be rich and some poor. What I do detest is a society or system that stops people from fulfilling their potential, whether by accident or design. Despite so many good intentions, millions of children are still not getting the chance to fulfil their potential as instrumentalists, singers, composers — and rounded human beings. On that occasion, perhaps foolishly, I will be undermining my own case.
The problem has always been that such examples of world-class excellence are far outnumbered by schools where children have little or no musical opportunities.
Nor do I think that Arts Council England, which was required to set up and monitor the hubs on very little notice and with even scantier resources, could have done more. And nor am I going to judge their success or failure on the basis of the sniffy Ofsted report that strongly criticised some of them before they had been given time to find their feet.
No, my chief gripe is that the government, having had the Someone tell me, please: what more can we do to expose the folly of this situation? But the real disappointment has been the music hubs.
That was the last straw for campaigners such as the Incorporated Society of Musicians. I share their fury. At present the whole music-hubs concept not to mention the broader aims of the promising National Music Plan which the government produced in November For more news and artist interviews visit www. To make matters more depressing, by this time next year we will have a new government with new education and culture ministers.
The whole wearying business of persuading a bunch of mostly philistine politicians that children need music in their school lives will have to start all over again.
Even there, though, the picture is quite patchy. The narrow, Gradgrind mindset of those responsible for defining and implementing the national curriculum is more likely the culprit. And all the time the gap widens between those children fortunate enough to attend private schools — with their fabulous arts facilities and platoons of music and instrument teachers — and those in the state sector.
The waste of latent talent must be huge. Someone tell me, please: what more can we do — as musicians, parents, teachers, commentators and musiclovers — to expose the folly of this situation? The Watford-bred maestro has presided over both occasions more times than any other living conductor. Davis turned 70 in February, and this performance is part of a very special birthday present from the BBC. So, no pressure! The audience was probably full of people who had heard Elgar conduct it.
Tony used to come down to my house in Sussex with the sketches. The other great thing about The Kingdom is the ending, which is a celebration of the Eucharist and very intimate and personal, not at all grandiose. She was out, but on her desk were three piles of applications — a yes pile, a no pile and a maybe pile. Well, Glyn found my application in the maybe pile, and put it in the yes file.
I always tell him that my entire subsequent career was his fault. In London, the Philharmonia was also keen to give Davis an associate conducting post — but there was a catch. He insisted he meet me before approving my appointment.
So this grand Italian maestro swept into my tiny house in Kentish Town and checked me out over a cup of instant coffee. A programme of 24 works by 24 different composers began with the National Anthem, followed by the overture from Rienzi by Wagner, a composer whose music has featured more than any other at the Proms.
By opening the season with one of the most grandiose works of them all. But I remember there being one concert which I thought went fantastically well. So I thought, just this once, I would read a review. Yet both were able to allocate sufficient rehearsal time to do really interesting projects.
We did a Charles Ives weekend, and people came in quite large numbers from America! Yes, I was lumbered with that one! The BBC switchboard was jammed with complaints because it was in second half of the concert, which of course is televised live on BBC One. Mind you, John Drummond [then the Proms Controller] absolutely loved the fact that it was hated so much! I know, I know! Of course the critics were livid when they heard the news, and they kept on alluding to it.
So I wrote a special encore verse for the patter-song. You get used to minus 20 degrees for a few weeks in January, but this freeze was endless. Hopelessly romantic, but true. Ravel Pictures at an Exhibition.
A Badalamenti , A Man from the Future orch. S Helbig world premiere. Robert D Levin Requiem in D minor. If the building had stayed in the hands of the Egyptian entrepreneur and former owner of Harrod, it was reported to have been kitted out with an indoor river running the length of the main space complete with palm trees, and a helipad no doubt to speed Al Fayed to his favourite Proms in time.
The theatre seated , which, remembers Edward Blakeman, editor of BBC Radio 3 and the Proms, seemed about the right size, although it did have a rather creaky airconditioning system.
It had seats and, more importantly, windows, which meant that lunchtime Chamber Proms could be enjoyed in daylight. Alice Coote mezzo , Julius Drake piano 7. This year sees that tradition flourish as never before, with 18 symphonic ensembles from across the world parking their buses outside the Royal Albert Hall Stage Door.
Evidently, Proms director Roger Wright has spent plenty of quality time in the company of his globe, as visiting orchestras range from the Iceland Symphony in the north to the Melbourne Symphony in the south, and from the Cleveland Orchestra in the west to the Singapore Symphony, China Philharmonic and Seoul Philharmonic in the east.
The performance of the Borusan Istanbul Philharmonic will be hugely anticipated see p50 , while it will also be interesting to hear how, at just seven years old, the Qatar Philharmonic is shaping up under its music director, cellist-turned-conductor Han-Na Chang Prom Leopold Metamorphosen version for septet.
Fischer Hungarian Dance No. Indeed it can, as the Italian proves when he throws more brass, a huge collection of percussion, kitchen sink and all into the mix for the Roman Festivals. Rebecca Franks Reviews editor Prom 4 20 July, 7. Rosie Pentreath Staff writer Prom 48 22 August, 7. Singer and presenter Clare Teal will host the proceedings as, armed with the music of Duke Ellington and Count Basie, the bands play harder, louder and faster.
Away from Radio 3, most other BBC stations are in on the action. Radio 5 live celebrates its 20th birthday with the Sports Prom on 20 July, while Radio 4 has enlisted its early evening current affairs programme PM to commission composer Tom Harrold to write a piece.
Sargent Rule, Britannia! Elgar Jerusalem, The National Anthem arr. Christine Rice mezzo-soprano , Exaudi, vk. Neither do I, I confess with relief. But as we begin I know that he has a perfectly clear idea what he means: it will be my job to keep up. This is a typical conversation with Harry, which is what everyone calls him sooner or later, because he is a master of subtle seduction in talking about music. He thinks of his music as a wrestling match with time, always reflecting something from the immediate past but necessarily on the move.
In the year of his 80th birthday, which is the cause of much celebratory performance of his work both at the BBC Proms and beyond, that restlessness remains. And opera takes time. From commission to performance The Minotaur was a fiveyear job, so he has no thoughts about one at the moment. A Piano Concerto is finished — titled Responses — which will have its premiere in Boston later this year, and you sense that there will always be a new idea ready to set him off.
That thought prompts a fascinating discussion about his method of composition. Then when I start writing, it all changes.
It has to. But the idea has to be complete at the beginning, although at the end it has changed. Does that make sense? Think of an oak tree, which we all recognise. You recognise an oak leaf. They all look the same. Similarly in opera, he loves a shifting perspective that can take a scene and present it from different angles. The size of the stage offered spectacular possibilities, but they were thrown away.
Musically exciting; dramatically weak. Drama is important to Birtwistle. His first opera, Punch and Judy, exploded onto the stage in with a violent crack. The story was unforgiving, the music simmering vk. And within a few years, Peter Hall had persuaded him to come to the new National Theatre as house composer. Presented with the challenge of stage discipline, he was able to develop a compressed style that could present complex ideas in a few moments and, in the course of an evening, paint a textured backdrop for the action.
He was knighted in Yet wider recognition had yet to come. Two strange events conspired to complete the job. It would have been strange if it had. People could like it or not, but was it really a piece of subversion?
The papers gleefully reported TV and radio listeners ringing the BBC to complain about the insult that had been done to them. Drummond, of course, was in his element. With the mischievous loftiness that he had had perfected like no one else, he boomed his contempt for the philistines. And he won. He would always come up with new challenges for his listeners and never be a comfortable composer, but he was accepted by an increasing number of people as an irresistible voice.
Now, on the verge of his ninth decade, he stands at the pinnacle of contemporary musicmaking. And, appropriately, he feels himself drawn back to 18th- and 19th-century music that for many years he had let slip away. That has changed. He wants to talk about Beethoven. Originality in everything. In short, there is nothing angry about Harry Birtwistle.
His restlessness — the desire to create something new, again and again — is shot through with a kind of serenity. There is nothing to prove now, only another intellectual and musical maze to vk. In a fascinating series of conversations with former BBC Music Magazine editor Fiona Maddocks, recently published by Faber and Faber under the title Wild Tracks reviewed next month , he talks about the creation of Responses, which will be heard for the first time this autumn.
I ask him to describe it. A conversation. It is passionate, but gentle; unforgiving but humane. And his energy is undimmed. After edging our way through Land Rovers, Aston Martins and hulking jeeps we ascend to a stuffy, metal-roofed hangar above the showroom, where an orchestra is warming up: welcome to the studio of the Borusan Istanbul Philharmonic Orchestra BIPO.
If it sounds unprepossessing, it is. This is the man from Floating Earth who does the live sound for pop stars, such as Gary Barlow and Miley vk.
Gathered around trays of lavish pastries and cups of bitter coffee, the players prepare for the sessions in an atmosphere of spirited anticipation, but fall silent as Sascha Goetzel, their quietly charismatic principal conductor and artistic director, enters the hangar. The moment they begin playing, the car showroom melts away. This is an ensemble that defies lazy stereotypes.
The age range is between 35 and 42, and energy levels are high. It is a significant achievement for a young orchestra, though its privately funded status has given it a level of security and self-determination that few statefunded ensembles enjoy there are around 12 orchestras in Turkey, including the privately funded Bilkent Symphony Orchestra, of Bilkent University in Ankara.
We should be building a musical bridge between East and West, developing a new audience and providing an open space for Turkish musicians to explore further. Our intention is to find a common ground between the two worlds. He was approached by so many young Turkish composers that the BIPO has now set up a dedicated project: 5-tominute scores can be submitted, a day is given to rehearsing them and one is chosen each year to perform in a concert, along with three new commissions.
The audience reactions have been electric, extraordinary. And we plan to do many more… A Ring cycle, for example; who knows? The trapezoid-shaped sound box is strung with 78 strings 26 sets of three stretched over a bridge, and attached to wooden pegs; an intricate system of metal keys creates quarter tones.
It is played by plucking the strings with the fingers or flexible plectra. Turkish ouds are smaller than their Arabic counterparts, more lightly constructed, with a brighter, cleaner sound, and tuned a note higher.
The oud is used in both popular and classical Turkish music. Made from a hollow cane or reed with five or six finger holes and one thumb hole, the closest Western equivalent is a recorder. Though these were individuals only, not under the banner of the BIPO, they were joining part of a wider protest against government interference in the arts.
While the spin insisted this will simply be a more efficient re-organisation, it was clear that the government would have more direct control over where money should be allocated. Chamber and jazz concerts are presented in their building, which houses a valuable music library.
BCA also has an important art collection, open to the public one day a week. During the financial boom years, many large corporations acquired such collections, but the Borusan is one of the few to have sustained its work up to the present day.
Her words are perhaps more loaded than we journalists realise. Alongside these works will be music from the standard repertoire. The retired couple retrained as security professionals and each year park their camper van outside the Albert Hall for the whole Proms season to provide security for the BBC — and tea and biscuits for the crew.
Proms director Roger Wright strolls in looking considerably calmer than the musicians. A call goes out for the Chorus to make their way to the stage.
Available from all good retailers and online at WWW. COM vk. The Vienna Philharmonic had just finished its concert and conductor Zubin Mehta was greeting guests in the backstage green room. Large wheelie bins were being commandeered and pushed hurriedly along behind the double doors ahead of me.
I delayed seeing Yo-Yo, went to investigate and quickly discovered the source of the noise. The case of a departing orchestral double bass had dislodged a sprinkler head as it was being carried out and water was pouring from the ceiling.
All hands were truly on deck and happily the late-night went ahead on time. In that time there have been more than concerts and far too many musical highlights from which to pick particular favourite moments. The consistently high quality of all vk.
There is a palpable sense of us all continuing on our journey of musical discovery — of familiar works in fresh interpretations, performers making their debuts and being introduced to a wide audience, new music specially commissioned for the Proms or pieces which have yet to be heard in the UK.
Commentators often say how remarkable the Proms audience is. And performers have often asked me if they can take the audience with them to all their concerts, as they get so much electricity and inspiration from them.
One point that is often lost in the discussion about the special nature of the Proms audience is not just its size or its enthusiasm, but that it is so large for — and curious about — unfamiliar and new music. One success of recent years is to have attracted record audiences even with Stockhausen Days, Cage Evenings and more new commissions and premieres than ever before.
However, the original vision of the Proms — to bring the best classical music to the largest possible audience — is alive and well. I am honoured to have played a part in Proms history, to have worked with brilliant, creative colleagues and to be handing over the Proms in such rude health to my successor.
These wild moors rise up out of the gentle, fertile plains in East Lothian, the coastal county just east of Edinburgh. Set in a acre estate, the 18th-century house is approached by a curving drive. Menotti planned to set up an arts centre for young musicians and to put on operas, turning it into a Scottish Glyndebourne. Sadly, his dreams never became reality, and he died in As one of the richest areas of Scotland, there are plenty of well-maintained country houses hidden down leafy drives in East Lothian — and several are used by the festival.
Centre stage is, of course, the music. And this year, the festival heads to Prestongrange, a historic industrial site on the coast, where the Red Note Ensemble will give a concert of contemporary and Renaissance music. This is the sort of festival that could make it happen. So, wonders Stephen Johnson, was writing for the stage where the great composer met his match? The statistics surely say it all: Beethoven was an instrumental composer first and foremost.
Beethoven then made cuts to Leonore in time for a second staging in Eight years later, the composer made further revisions, and Fidelio as we know it was staged for the first time. In a different political climate in , however, the shorter revised Fidelio was a success.
What is it about? In short, Fidelio tells of Leonore above , who disguises herself as a man — Fidelio — to rescue her husband Florestan from the prison where his political enemy, Pizarro, is keeping him in solitary confinement.
The plot is based on a true story at the time of the French Revolution. It begins with an exquisite hushed introduction for strings — the effect of sunlight on light-deprived captives is registered so poignantly that it can bring the most restive auditorium to spellbound silence.
The problem is, what do you do with the prisoners themselves? But the slightest footfall can shatter the magic: and in some productions, the strings are drowned out by clumping, dragging boots — or worst of all, by the massed rattle of a metallic futuristic stage.
Politically meaningful perhaps, but musically catastrophic. Moving the finale out into the prison courtyard makes sense, visually and emotionally, but the score leaves precious little time to change the scenery.
It also creates a weird musical lacuna, one which some conductors have tried to bridge by wedging in the whole of the Overture Leonore No. For Wagner, Beethoven had almost succeeded in forging a new relationship between words, music and drama. His father Johann, a tenor at the court in Cologne, teaches him piano from an early age.
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Don't miss the fireworks at the endin the words of Sean Evans, Probably the most challenging wing 10 we've ever had. Four artists have one final chance to save themselves from elimination. It wont be a walk in the park, however; the artists must use finesse to flawlessly freehand their tattoos onto their canvas's skin. But this time, they wont battle alone. Instead, theyll be coaching teams selected from some of the top tattoo artists in the country.
Subscribe for More! Submit it to us here! From Jackie Chan to Tom Hanks and Laurence Fishburne, many celebrities have offspring who have led difficult lives, including addiction and criminal behaviour.
WatchMojo is counting down most troubled celebrity children. Check out the voting page at Magazine!! Learn the inner workings of WatchMojo and meet the voices behind the videos, articles by our specialists from gaming, film, tv, anime and more. Your trusted authority on ranking Pop Culture. You didnt think this was the end of the story, did you?
Descendants 3. Coming We're trying some of your favorite Thanksgiving leftover hacks to see how we'll be chowing down the day after Turkey Day. GMM The nationwide search for the next superstar kicked off in August , as the Idol Bus traveled from Portland, Oregon, to Orlando, Florida, in its pursuit for talent, covering 23 cities across the country.
Auditioning was made easier than ever as hopefuls also had the opportunity to submit audition videos online, as well as via select social media platforms using an official tag, TheNextIdol, cultivating over , posts. Also, for the first time in American Idol history, hopefuls had the opportunity to audition through a livestream platform.
Helping to determine who America will ultimately vote for to become the next singing sensation, are music industry forces and superstar judges, Luke Bryan, Katy Perry and Lionel Richie. Emmy Award-winning host and producer Ryan Seacrest will return as host of the beloved series.
I decided to go above and beyond and attempt this crazy challenge. Did I complete it? Check out the video to see how I did! As for those who wonder why the ice cream is melted in the video, unfortunately for thumbnail purposes and for not having to get up 15 different times during the video I decided to have them all out on the table! Hopefully you guys enjoy the video!
If you did, be sure to let me know down below! This channel is dedicated to all of my crazy eating stunts and eating challenges. I live in the United States of America, home to some of the tastiest fast food in the world.
Follow me in my journey to continue to go BIG when it comes to food and subscribe down below! YouTube Channel : US! Eat Bulaga! If you're new, Subscribe! DeGeneres is, indisputably, one of TV's favorite faces. Since its launch in September , The Ellen DeGeneres Show has shattered ratings records and helped her become one of the biggest names in Hollywood. In , she was awarded the Presidential Medal of Freedom and in , at age 59, she broke the People's Choice Awards record for most wins when she took home her 20th award.
Despite all those accolades and her huge fan base, daytime's nicest host has managed to make a few enemies along the way. These are the celebrities who supposedly can't stand the comedic icon Spending time with us is like hanging out with friends who keeps the conversation clever, quick, and classy. We dish out the good stuff on all your favorite celebs, add expert analysis, then move on to the next hot topic, all without breaking a sweat.
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Thanks for watching the drama! Help more people watch [The Flame's Daughter] by contributing subtitles. Won't you let him in? George H. Bush broke down in tears on Saturday as his son read aloud one of the dozens of love letters he wrote to his late wife Barbara as part of his moving eulogy at her memories. Welcome to Light channel. Subscribe to the channel at : at Light Channel can use copyrighted content based on fair use law And violation of policy, community guidelines, copyright law or business cooperation please contact directly by mail : SabrinaDixon gmail.
What's lurking in those free makeup testers? Some might consider what I did destroying a valuable award, but in today's video, after unboxing it, I actually went ahead and turned my brand new Youtube Gold Play Button which we received for hitting 1 million subscribers this year into an ant farm.
I moved in one of our five ant colonies cased on popular vote from a poll on our new Youtube Community Tab. It was truly an exciting, creative, and epic venture, but you will love how the ants react to living inside the new custom-designed Gold Play Button.
We also explain how your support means so much to us and how it has helped support ant research and ant keeping product development. You guys are all ambassadors of ant love. Thank you to the AC Family, our subscribers who tune in every week! It's ant love forever! Thank you for the support. We've got new Ant T-shirts! Check them out here: a question about ants or AntsCanada?
Visit our website FAQ: an ant farm? Check out our ant shop. About AntsCanada. Bringing the ant farm and love of ant keeping to a whole new level, we are dedicated to show the world the joys of keeping big and healthy pet ant colonies. Shipping worldwide since , we are innovators of ant keeping products for ant lovers and museums alike. Xx Beth Follow me! Haiiiiii, I'm Bethany Mota!
In todays video, I show you my Black Friday Haul! Check out the rest of my videos to see diys, skits, fashion, challenges, lifestyle, and just a little bit of weirdness. I built an A frame hut as a large work space for projects. First I made a celt hatchet to cut timber for the hut. The axe head was made of amphibolite and the handle was made of a species of wattle.
For the hut the floor plan was 4 X 4m. The height of the ridgeline was 2 m above the ground. The rafters of the hut were then attached to the ridgepole. Palm fronds were then collected, split and lashed to this frame. The dome hut was disassembled and its thatch was added to the structure. Approximately fronds were used in total. For the ridgeline, thatch was lifted in place and rested on without lashing it down. Instead, pairs of sticks lashed together were lifted in place sitting over thatch preventing it from blowing away.
These are known as jockeys as they resemble a rider sitting on a horse. A wall of wattle and daub was built at the back of the structure. Wooden poles were planted into the ground and lawyer cane was woven between them. Soil was dug from around the hut forming drainage trenches while also supplying the mud used to daub the wall. No fibre was added to the daub, just straight mud.
Pegs were stuck into the wall to form a convenient rack to hold the stone axe off the ground when not in use. Later, pegs were added to support the fire sticks too. A bed was made by hammering in wooden stakes and lashing timber to the frame.
This was covered with palm fibre to act as bedding. Latter, heavy rain fell testing the huts ability to shed rain. The hut stayed dry while the water flowed off the thatch and into the drainage trenches left over from digging the mud for the wall. The A frame hut is a simple shelter that can be built quickly and simply. Its basically a large roof built directly on the ground. The shape is strong and should resist strong winds.
This hut is the biggest one Ive built on this channel and could fit both the tiled roof hut and wattle and daub hut inside it with room left over along the sides. It requires no scaffolding or ladders to build. A person can walk right down the centre without ducking while the sides that are too low to stand in are used for storing firewood, tools and other things.
A fire lit in the entrance will greatly reduce the number of mosquitoes in the hut though it will get smokey occasionally. To reduce smoke, a small stove could be built to burn the wood more efficiently. A chimney and fireplace could be built also, but would take more time.
Strike Up The Band. Love Makes the World Go 'Round. How Can Love Survive. The Sound of Music. I've Got a Gal In Kalamazoo. Tex Beneke and the Glenn Miller Band. No Way To Stop It. Underwood, Carrie. I'll Never Smile Again. Lowe, Ruth. Alfred Publishing Co. And All That Jazz Chicago. When You're Good to Mama Chicago.
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